Eleven-headed Avalokiteśvara
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Eleven-headed Avalokiteśvara Chenresigs, Kuan-yin or Kannon Bodhisattva : its origin and iconography by Tove E. Neville

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Published by Munshiram Manoharlal Publishers in New Delhi .
Written in English

Subjects:

  • Avalokiteśavara (Buddhist deity) -- Cult -- History.

Book details:

Edition Notes

Includes bibliographical references (p. [110]-112) and index.

Other titlesAvalokiteśvara
StatementTove E. Neville.
Classifications
LC ClassificationsBQ4710.A82 N48 1999
The Physical Object
Paginationxviii, 122 p., [46] p. of plates :
Number of Pages122
ID Numbers
Open LibraryOL18980457M
ISBN 108121504575

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Dimensions: inch X 9 inch X 3 inch Brass Sculptures: Buy Ganesha, Buddha & Nataraja Sculptures | ExoticIndia Brass Statue The bodhisattva of compassion, Avalokitesvara (Chenrezi to Tibetans) is portrayed here in his most powerful, royal form, with eleven faces, Price: $ eleven-headed Avalokitesvara at Kanheri is the singular sculpture of its kind which shows a superb illustration of the imagination of learned Buddhist scho-lars and the exquisite skill of the then artists. Another significant evidence from Kanheri which has important bearing on the interpretation of the eleven-headed image is the worship of. COVID Resources. Reliable information about the coronavirus (COVID) is available from the World Health Organization (current situation, international travel).Numerous and frequently-updated resource results are available from this ’s WebJunction has pulled together information and resources to assist library staff as they consider how to handle coronavirus. Eleven-headed Kannon (Sanskrit: Avalokiteshvara) is an important bodhisattva in the esoteric schools of Buddhism. Atop the deity’s own head are eleven additional heads. Ten of these take the form of bodhisattvas and represent the ten stages toward enlightenment. The topmost head is that of Amida (Sanskrit: Amitabha), the Buddha from whom.

The thanka of Eleven-headed Avalokiteśvara presented to Atīśa upon his arrival in A.D. must have looked very much like the splendid representation of this deity at Alchi (Pl. 2). Incidentally, it may be noted that the iconography of this form of Avalokiteśvara, as . From the Jacket: A fundamental work based on Original Sanskrit, Chinese Korean, Japanese, the lost Iranian language Sogdian and Tibetan works - on the origin of Avalokitesvara. It identifies the several prevalent folk-deities which were assimilated into the iconographical form. The workship of Avalokitesvara was accompanied by a dharani (recited hymn).